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Carlo Saraceni (after) - Mort à la Sainte Vierge (Death to the Blessed Virgin), c. 1839-1842 - Carlo Saraceni (after) - Mort à la Sainte Vierge (Death to the Blessed Virgin), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 88 x 61 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 88 x 61 cm

Mise à prix  300 EUR

Bartolomé Esteban Murillo (after) - Jeunes garçons jouant aux cartes (Young boys playing cards), c. 1839-1842 - Bartolomé Esteban Murillo (after) - Jeunes garçons jouant aux cartes (Young boys playing cards), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Ferdinand Piloty. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 88 x 61 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Ferdinand Piloty. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 88 x 61 cm

Mise à prix  300 EUR

Ernst Fries (after) - La Chute de Liris près d'Isola di Sora (Liris Falls near Isola di Sora), c. 1839-1842 - Ernst Fries (after) - La Chute de Liris près d'Isola di Sora (Liris Falls near Isola di Sora), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 61 x 88 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 61 x 88 cm

Mise à prix  300 EUR

Frans J. Luckx (after) - La faiseuse de dentelles (The lacemaker), c. 1839-1842 - Frans J. Luckx (after) - La faiseuse de dentelles (The lacemaker), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 88 x 61 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 88 x 61 cm

Mise à prix  300 EUR

Matthias Artaria (after) - La messe de minuit à Zell (Midnight mass in Zell), c. 1839-1842 - Matthias Artaria (after) - La messe de minuit à Zell (Midnight mass in Zell), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 61 x 88 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 61 x 88 cm

Mise à prix  300 EUR

Bartolomé Esteban Murillo (after) - Le Mangeur de melon et raisin (Enfants mangeant des raisins et du melon), c. 1839-1842 - Bartolomé Esteban Murillo (after) - Le Mangeur de melon et raisin (Enfants mangeant des raisins et du melon), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Ferdinand Piloty. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 88 x 61 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Ferdinand Piloty. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 88 x 61 cm

Mise à prix  300 EUR

Nicaise de Keyser (after) - Le moine mendiant (The begging monk), c. 1839-1842 - Nicaise de Keyser (after) - Le moine mendiant (The begging monk), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 88 x 61 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 88 x 61 cm

Mise à prix  300 EUR

Carl Wilhelm Freiherr von Heideck (after) - Le Pont de Cuenca (Cuenca Bridge), c. 1839-1842 - Carl Wilhelm Freiherr von Heideck (after) - Le Pont de Cuenca (Cuenca Bridge), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 61 x 88 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 61 x 88 cm

Mise à prix  300 EUR

Heinrich von Mayr (after) - Le prisonnier de guerre (The prisoner of war), c. 1839-1842 - Heinrich von Mayr (after) - Le prisonnier de guerre (The prisoner of war), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 61 x 88 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 61 x 88 cm

Mise à prix  300 EUR

Frans van Mieris I (after) - Le soldat en quartier (The soldier in quarters), c. 1839-1842 - Frans van Mieris I (after) - Le soldat en quartier (The soldier in quarters), c. 1839-1842 Rare lithograph on chine collé stamped by the publisher. Print made by Johann Wölfle. Published by Piloty & Loehle, Munich, c. 1839-1842. Some folds, creasers, spots and wear signs on the support paper, the image is in very good condition (see all the photos for the details). Appr. paper dimensions 88 x 61 cm Lithographic printers active from 1839 till 1866, partnership of Ferdinand Piloty I and Loehle were the official publishers of the 'Königlich Bayerische Pinakothek' (Royal Bavarian Pinakothek). Their lithographs were produced in chine collé technique which allowed the printmaker to print on a much more delicate surface, such as Japanese paper bonded onto a heavier support, that pulls finer details off the plate. Nowadays these lithographs are in collections of renowned museums, such as The British Museum or Philadelphia Museum of Art. Rare lithographie sur chine collé estampillée par l'éditeur. Estampe réalisée par Johann Wölfle. Publiée par Piloty & Loehle, Munich, c. 1839-1842. Quelques pliures, froissements, taches et marques d'usure sur le papier support, l'image est en très bon état (voir toutes les photos pour les détails). Dimensions appr. du papier 88 x 61 cm

Mise à prix  300 EUR