Null Satsuma vase 
Japan 
Meiji to Taishō period, 1868-1926 
Height 13 cm 
Marke…
Description

Satsuma vase Japan Meiji to Taishō period, 1868-1926 Height 13 cm Marked on the base in the shape of a wheel cross (Shimazu clan) Two-handled bulging vase in the shape of an archaic Chinese bronze vessel. High-gloss "Gosu" cobalt blue ground with floral decoration in overglaze gold, the front and back each with a light-coloured panel with polychrome pictorial depiction. The front shows four children in a room with a large birdcage in the centre. Two of the children are busy with the animal. This depiction also has plenty of golden accents, including the gold-speckled background. The panel on the reverse is somewhat more sparingly gilded; the landscape with the river and houses is effective here due to its colourfulness. If the piece did not have a golden wheel cross-shaped mark of the Shimazu clan, which provided the daimyōs of Satsuma, at the bottom, it could easily be mistaken for a product from the famous workshop of Kinkōzan Sōbei in Kyōto in terms of style and fineness of execution. The square stamp in gold on a red background also imitates the appearance of some Kinkōzan stamps, but bears a different text, of which unfortunately only the right-hand part can be deciphered as "Great Japan". Remnants of European numerals in ink can still be seen below the stamp, possibly once an inventory number.

1285 

Satsuma vase Japan Meiji to Taishō period, 1868-1926 Height 13 cm Marked on the base in the shape of a wheel cross (Shimazu clan) Two-handled bulging vase in the shape of an archaic Chinese bronze vessel. High-gloss "Gosu" cobalt blue ground with floral decoration in overglaze gold, the front and back each with a light-coloured panel with polychrome pictorial depiction. The front shows four children in a room with a large birdcage in the centre. Two of the children are busy with the animal. This depiction also has plenty of golden accents, including the gold-speckled background. The panel on the reverse is somewhat more sparingly gilded; the landscape with the river and houses is effective here due to its colourfulness. If the piece did not have a golden wheel cross-shaped mark of the Shimazu clan, which provided the daimyōs of Satsuma, at the bottom, it could easily be mistaken for a product from the famous workshop of Kinkōzan Sōbei in Kyōto in terms of style and fineness of execution. The square stamp in gold on a red background also imitates the appearance of some Kinkōzan stamps, but bears a different text, of which unfortunately only the right-hand part can be deciphered as "Great Japan". Remnants of European numerals in ink can still be seen below the stamp, possibly once an inventory number.

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