LÊ PHỔ (1907-2001)

Nature morte aux pivoines et plante en pot, 1935 Oil on canvas, signed and dated lower right 65,7 x 45,3 cm - 25 7/8 x 18 in. This painting was acquired in the 1980s in Saigon by a collector who was sensitive to Lê Phổ’s remarkable talent in the making. Today, it stands as a rare testimony to the artist’s early work and explorations in oil painting. By opting for a classic format, Lê Phổ perpetuates the still-life tradition. His wise composition features peonies and a green plant harmoniously arranged on a table partly covered by a carpet. The perspective is classical and the palette realistic. Following in the footsteps of the old masters, the young Vietnamese artist proves his mastery of Western painting codes. Gradually replacing tempera, oil painting has been a popular medium with European artists since its origins in the 15th century. Composed of three elements (pigment, binder and support), its production depends on the painter’s preparation. Subjected to the different origins of the materials, which can be mineral, vegetable or chemical, the palette, texture but also gloss vary. While Lê Phổ uses a medium rooted in Western history, he chooses to depict flowers linked to European and Asian cultures. Rich in meaning, peonies are synonymous with prosperity, happiness, honor and beauty. Nicknamed the “Queen of Flowers” in China, they were the national flower before being dethroned by plum blossoms. Today, peonies, and particularly pink peonies, are among the most popular of all flowers.